If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise;
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools;
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on!”
If you can talk with crowds and keep your virtue,
Or walk with kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
- In a poll conducted in 1995 by the BBC Radio 4 Bookworm programme to determine the nation’s favourite poems, If— came first.
- The poem If of Kipling is written as if a father is talking to his son, giving him advices on the way to behave to obtain the reputation of being a mature and an outstanding citizen of the community and the world. It has been written in 1895 and published in his collection Rewards and Fairies in 1909. Throughout the poem, Kipling illustrates ideal behaviour and virtue through the use of paradox: righteousness without smugness; detachment while practicing determination; and noble life blended with commonality. The employment of these contradictory extremes throughout the poem serves to illustrate a central theme of striving for an idealized “golden mean” in all facets of life.